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Collins Chillers
Agatha Christie
From the Queen of Crime, the first time all of her spookiest and most macabre stories have been collected in one volume.“Reading a perfectly plotted Agatha Christie is like crunching into a perfect apple: that pure, crisp, absolute satisfaction.”—Tana FrenchFor lovers of the supernatural and the macabre comes this collection of ghostly and chilling tales from legendary mystery writer Agatha Christie. Fantastic psychic visions, spectres looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these stories.The Last Séance gathers twenty tales, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.
THE LAST SÉANCE
TALES OF THE SUPERNATURAL BY
Agatha Christie
Copyright (#u72d0c14f-6048-54d2-bc79-9d8c3b113e8a)
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Collins Chillers edition published 2019
The AC Monogram Logo is a trade mark and AGATHA CHRISTIE, POIROT, MARPLE and the Agatha Christie Signature are registered trademarks of Agatha Christie Limited in the UK and elsewhere.
Copyright © Agatha Christie Limited 2019. All rights reserved.
www.agathachristie.com (http://www.agathachristie.com)
Agatha Christie asserts the moral right to be identified as the author of this work.
Cover design © HarperCollinsPublishers Ltd 2019
Cover illustration © Matt Griffin
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008336738
Ebook Edition © October 2019 ISBN: 9780008336745
Version: 2019-08-20
CONTENTS
Cover (#u18aa3b0e-5ab0-59de-8014-992f342ea719)
Title Page (#u0da778f8-7137-55d8-bc98-99695d07147f)
Copyright
The Last Séance
In a Glass Darkly
S.O.S.
The Adventure of the Egyptian Tomb
The Fourth Man
The Idol House of Astarte
The Gipsy
Philomel Cottage
The Lamp
The Dream
Wireless
The Wife of the Kenite
The Mystery of the Blue Jar
The Strange Case of Sir Arthur Carmichael
The Blue Geranium
The Call of Wings
The Flock of Geryon
The Red Signal
The Dressmaker’s Doll
The Hound of Death
Bibliography
Also in this series
About the Publisher
THE LAST SÉANCE (#u72d0c14f-6048-54d2-bc79-9d8c3b113e8a)
Raoul Daubreuil crossed the Seine humming a little tune to himself. He was a good-looking young Frenchman of about thirty-two, with a fresh-coloured face and a little black moustache. By profession he was an engineer. In due course he reached the Cardonet and turned in at the door of No. 17. The concierge looked out from her lair and gave him a grudging ‘Good morning,’ to which he replied cheerfully. Then he mounted the stairs to the apartment on the third floor. As he stood there waiting for his ring at the bell to be answered he hummed once more his little tune. Raoul Daubreuil was feeling particularly cheerful this morning. The door was opened by an elderly Frenchwoman whose wrinkled face broke into smiles when she saw who the visitor was.
‘Good morning, Monsieur.’
‘Good morning, Elise,’ said Raoul.
He passed into the vestibule, pulling off his gloves as he did so.
‘Madame expects me, does she not?’ he asked over his shoulder.
‘Ah, yes, indeed, Monsieur.’
Elise shut the front door and turned towards him.
‘If Monsieur will pass into the little salon Madame will be with him in a few minutes. At the moment she reposes herself.’
Raoul looked up sharply.
Agatha Christie
From the Queen of Crime, the first time all of her spookiest and most macabre stories have been collected in one volume.“Reading a perfectly plotted Agatha Christie is like crunching into a perfect apple: that pure, crisp, absolute satisfaction.”—Tana FrenchFor lovers of the supernatural and the macabre comes this collection of ghostly and chilling tales from legendary mystery writer Agatha Christie. Fantastic psychic visions, spectres looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these stories.The Last Séance gathers twenty tales, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.
THE LAST SÉANCE
TALES OF THE SUPERNATURAL BY
Agatha Christie
Copyright (#u72d0c14f-6048-54d2-bc79-9d8c3b113e8a)
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Collins Chillers edition published 2019
The AC Monogram Logo is a trade mark and AGATHA CHRISTIE, POIROT, MARPLE and the Agatha Christie Signature are registered trademarks of Agatha Christie Limited in the UK and elsewhere.
Copyright © Agatha Christie Limited 2019. All rights reserved.
www.agathachristie.com (http://www.agathachristie.com)
Agatha Christie asserts the moral right to be identified as the author of this work.
Cover design © HarperCollinsPublishers Ltd 2019
Cover illustration © Matt Griffin
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008336738
Ebook Edition © October 2019 ISBN: 9780008336745
Version: 2019-08-20
CONTENTS
Cover (#u18aa3b0e-5ab0-59de-8014-992f342ea719)
Title Page (#u0da778f8-7137-55d8-bc98-99695d07147f)
Copyright
The Last Séance
In a Glass Darkly
S.O.S.
The Adventure of the Egyptian Tomb
The Fourth Man
The Idol House of Astarte
The Gipsy
Philomel Cottage
The Lamp
The Dream
Wireless
The Wife of the Kenite
The Mystery of the Blue Jar
The Strange Case of Sir Arthur Carmichael
The Blue Geranium
The Call of Wings
The Flock of Geryon
The Red Signal
The Dressmaker’s Doll
The Hound of Death
Bibliography
Also in this series
About the Publisher
THE LAST SÉANCE (#u72d0c14f-6048-54d2-bc79-9d8c3b113e8a)
Raoul Daubreuil crossed the Seine humming a little tune to himself. He was a good-looking young Frenchman of about thirty-two, with a fresh-coloured face and a little black moustache. By profession he was an engineer. In due course he reached the Cardonet and turned in at the door of No. 17. The concierge looked out from her lair and gave him a grudging ‘Good morning,’ to which he replied cheerfully. Then he mounted the stairs to the apartment on the third floor. As he stood there waiting for his ring at the bell to be answered he hummed once more his little tune. Raoul Daubreuil was feeling particularly cheerful this morning. The door was opened by an elderly Frenchwoman whose wrinkled face broke into smiles when she saw who the visitor was.
‘Good morning, Monsieur.’
‘Good morning, Elise,’ said Raoul.
He passed into the vestibule, pulling off his gloves as he did so.
‘Madame expects me, does she not?’ he asked over his shoulder.
‘Ah, yes, indeed, Monsieur.’
Elise shut the front door and turned towards him.
‘If Monsieur will pass into the little salon Madame will be with him in a few minutes. At the moment she reposes herself.’
Raoul looked up sharply.
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